While the answer is obviously the death of her beloved brother, the point Feste tried to make was why was Olivia mourning for a person whose soul is in heaven? The lunatic, the lover and the poet Are of imagination all compact.
Yet the mere fact of his presence in the play shows us the outsider at odds with his society, unsure how to come to terms with it, and assuming, for his own protection, the mask of the fool.
Although both characters are of a higher intelligence, the language chosen for each is very different; Feste, the Clown, often plays with words, uses puns and aphorisms. The metaphor describes how he has been made a fool of by all of them, and also signifies his isolation from the rest of the cast and how he has become a loose end of the play, as everybody else has found love or companionship with another person in the play.
We do not deal simply in words, but in a whole complex of nuances and half-guessed meanings. He is always that instant behind the main action.
In the face of this powerlessness, he will, deliberately or subconsciously, assume the mask of folly in order to protect himself from the world. He and many other characters combine their silly acts and wits to invade other characters that "evade reality or rather realize a dream", while "our sympathies go out to those".
But if, as Antonio has said, the world is a stage where people must play a part and this is an important image for our understanding of the fool why should Gratiano not play the part of the fool?
So, whichever way he turns, the fool is caught. A message well sympathised: Although both characters are of a higher intelligence, the language chosen for each is very different; Feste, the Clown, often plays with words, uses puns and aphorisms. In one example he proves Olivia to be a true fool by asking her what she was mourning about.
To remain where he is is to be cut off from community; but the price of his integration into that community is the abandonment of all that he knows, all that makes him a self. Antonio has become very fond of Sebastian, caring for him, accompanying him to Illyria, and furnishing him with money—all because of a love so strong that it seems to be romantic in nature.
He gives characters with more intelligence a large vocabulary, where feeble-minded characters are more limited.
But Touchstone gives only lip-service to the ideal. Literary critics have noted that because Feste does not get involved in any of the play's conflicts, he is able to remain the play's objective observer eNotes, "Feste the Clown Character Analysis". But Maria succeeds where Malvolio fails—perhaps because she is a woman, but, more likely, because she is more in tune than Malvolio with the anarchic, topsy-turvy spirit that animates the play.
We are given fragments of manageable information throughout the play so that when the complex plot unfolds we understand it by piecing together all the information given to us in previous scenes.
She disguises herself as a young man, calling herself "Cesario," and becomes a page to Duke Orsino. It is the others who, purified by the consistency of their inner vision, are incorporated into the marriage feast. However, more importantly, Feste also functions as the play's wise observer, and as a wise observer, he also illustrates the theme of foolish human nature.
Thus they contain down-to-earth characters who appeal to the working classes, side-by-side with complexities of plot which would satisfy the appetites of the aristocrats among the audience. He is the other polarity in a play which has as its ideal the godlike Theseus.
All the characters, noble and common, have some weakness which he intuitively rallies. We might think of Bottom and Touchstone as descended from one side of the family, and Jaques and Feste from the other.
Take away the fool, gentlemen" I. This is similar to the definition of a 'Jester' who is also known as a "buffoon, or a merry andrew.
Another scene which prepares us for dramatic irony is when Maria, Sir Andrew, and Sir Toby write the letter to Malvolio, under the pretence that it is from Olivia.
Lancelot Gobbo similarly plays games both with himself and his father in The Merchant of Venice, and he reacts to the threats of Shylock in the same way as, earlier, Moth had done to Armado. His musical talent is most diversified; he gives as readily and with equal effect the tender love song suited to the dreamy and poetical being of the Duke, or the noisy catch that shakes the rafters and calls up Malvolio at midnight.
Throughout the play, Malvolio has always been the person who intentionally spoils the pleasure of other people. Hence we see that as a court jester, Feste is characterized as being both witty and wise with the purpose of illustrating the theme of human folly.
It is for this reason that he takes the mask of fool upon him, and is quick to disclaim any wit if they should sense it in him: Iambic pentameter shows control and yet the emphasis here is on the instability and the intensity of his love for Olivia. But there are significant differences; they are all greater than their begetters.
Directors and actors may take these factors into consideration when performing a play, to assist in conveying meaning to the audience. In contrast, we have these smoothly-flowing lines from Orsino:In William Shakespeare’s comedy, Twelfth Night, Feste the clown is not the only fool who is subject to foolery as unconventional fools dominate the play.
He and many other characters combine their uncommon actions and wit to provoke other characters that has largely withdrawn into their own form of.
Twelfth Night is one of Shakespeare's most famous comedies, involving complex plots, which result in hilarious culminations. The main plot of Twelfth Night tells of Count Orsino's efforts to woo the Lady Olivia who does not return his affection.3/5(9).
Read an in-depth analysis of Viola. Orsino - A powerful nobleman in the country of Illyria. Orsino is lovesick for the beautiful Lady Olivia, but becomes more and more fond of his handsome new page boy, Cesario, who is actually a woman—Viola. In Shakespeare's Twelfth Night, Feste's role in this Illyrian comedy is significant because "Illyria is a country permeated with the spirit of the Feast of Fools, where identities are confused, 'uncivil rule' applauded and no harm is done".
Feste is a genius with words and has a knack for punning, word play, and witty repartee, which he puts to use throughout Twelfth Night. As "Cesario" points out, even though Feste is a "fool. One of Feste's functions is to illustrate the merry, festive themes of Twelfth Night that are associated with the play's title.
The play's title refers to the holiday celebrated on the twelfth day.Download